Movie Reviews

‘War Machine’ Review: On the Fritz

The “Reacher” star Alan Ritchson can’t troubleshoot this alien invasion sci-f...

Wallace Shawn’s ‘What We Did Before Our Moth Days’ I...

The playwright and his collaborator André Gregory are together again, deliver...

‘Pompei: Below the Clouds’ Review: Trembling Beautie...

The past and the present converge in this ravishingly beautiful Italian docum...

‘Protector’ Review: She Knows How to Give Life, and ...

Milla Jovovich plays a mother whose wrath is unleashed when her daughter is k...

‘Scream 7’ Review: Neve Campbell Returns to Face Gho...

Ghostface has returned amid a light fog of nostalgia in this reunion for some...

How the BAFTAs Bungled Its Response to a Racial Slur

The awards show didn’t mention racist slurs when it told the audience that a ...

‘Scream 7’ Controversies: What You Need to Know

The franchise’s latest edition ran into trouble on the way to the screen. Her...

Netflix Backs Out of Bid for Warner Bros., Paving Wa...

The move was a stunning development in the long-running corporate battle for ...

6 New Movies Our Critics Are Talking About This Week

Whether you’re a casual moviegoer or an avid buff, our reviewers think these ...

Watch the Final Scene of ‘Train Dreams’

The director Clint Bentley discusses the conclusion to his film, which stars ...

‘The Interview’: Maggie Gyllenhaal on ‘The Bride,’ a...

With a big budget and a lot to say, the filmmaker is unleashing her inner mon...

‘Paul McCartney: Man on the Run’ Tells One Side of t...

The Morgan Neville-directed film relies on new and archival interviews to cov...

‘Train Dreams’ | Anatomy of a Scene

The director Clint Bentley narrates a sequence from his film starring Joel Ed...

‘Dolly’ Review: Toy With Me

A backwoods monster with a twisted doll obsession puts a couple through the w...

‘Heel’ Review: A Different Kind of House Training

A loutish teenager is shown the error of his ways in this absurdly gripping p...

‘The Bride!’ Review: Frankie, My Dear

Maggie Gyllenhaal’s time-shifting, genre-hopping riff on Mary Shelley’s creat...